http://www.youtube.com/watch?v=dq7GMJH9qFc 4 min

Like many great scientific discoveries, this one happens by accident. Sereno, an expert in locating dinosaur fossils, is on an expedition to Niger, in Saharan Africa. Six weeks into a three-month journey, his team makes an unexpected discovery: human bones, the remains of peoples who lived 10,000 and 5,000 years ago.

It's Britains greatest prehistoric monument but for millennia the origins of Stonehenge have remained a mystery. Now, archaeologist Mike Parker Pearson believes he has found vital clues that could help unravel the puzzle. Buried beneath the stones are ancient bodies, and a research team let by the professor has been granted permission to analyse them for the first time as they search for the truth.

An investigation into prehistoric, fossilised human remains found in the Saharan Desert.

“A burned-out group of Brno intellectuals decides to go to Kolochava in Ukraine to perform ‘A Ballad for a Bandit’ there.” With these words, the author's collective presents their film, in which they use primarily documentary imagery to compose a lyrical grotesque about an epochal trip, which might be their goal. But it doesn't have to be. The main tool of expression here is the film’s edit, which places various shots, statements, and meanings next to each other, often in a sort of productive conflict. Just like in a poem, the “poetic function” of art and its ability to serve as the primary tool for expressing beauty is manifested in full force before our very eyes.

Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy. The IFC’s inaugural release, Crowfoot was the first Indigenous-directed film to be made at the NFB.

A down-on-her luck prostitute embarks on a wild adventure that puts her in contact with the Mafia.

A surrealistic musical about the love between a woman and a talking photocopier in a patriarchal slave society. Beatrice is one of many women who work hard under the unfair boss, Mr Kättström. As time goes by, the love between Beatrice and the photocopier grows and together they decide to fight the injustices at their workplace.

Defying bullies, a lone girl battles fears to chase her dream of soaring beyond the mountain's peak.

An unexperienced robber brings his obnoxious best friend along for his last job. But, as the night grows colder they soon realize they are in for a lot more than they bargained for. Can they handle the truth?